Ali Larter’s storyline isn’t the only one where the powers of the characters involved make absolutely no sense with how the characters are acting. Officer Matt Parkman is supposedly psychic but is repeatedly caught off guard when characters betray him or do something unexpected. Shouldn’t it be impossible to surprise him?! The aforementioned Peter Petrelli supposedly has the ability to fly, but apparently needs his brother to carry him into the sky when he’s about to explode because he can’t do it by himself. The teaser for season two indicates that the other Petrelli (whose character traits bounce so all over the map I can’t even rationally write about him in this space) somehow survives a nuclear explosion even though nothing about his powers should lend him invulnerability. The Haitian has the ability to make people forget things but for some reason has to run away from the “Corporation” and be in fear of his life. Couldn’t he just make his pursuers forget they were supposed to be chasing him?
This points to a larger problem with the way in which Heroes is written: Plot inconsistencies don’t seem to be caught in advance through any sort of editing process and large segments of plot seem to disappear entirely. For example, during one series of episodes it is revealed that repeated exposure to the Haitian has made Mrs. Bennett develop a brain lesion which has drastically affected her ability to make new memories and retain old ones. While this is an interesting implication of the Haitian’s powers on its own merits, the writers also appeared to be using it to place an emotional wedge between Hayden Panettiere (Claire Bennett) and her father for authorizing the Haitian’s habitual use of his powers on Mrs. Bennett. However, as soon as the emotional void between Claire and her father was resolved the brain lesion apparently disappears, Mrs. Bennett acts normally again, and no explanation of what happened to the brain lesion is ever made.
This becomes particularly problematic when the writers forget that there are interesting questions raised by the use of their characters powers. In the first episode of the series, it is revealed that one character can predict future events through his artwork. Upon discovering this power, two other characters (Hiro and Ando) begin following instructions through a comic book drawn by the prognosticating painter in order to save a girl’s life who the comic predicts will be put in danger by a runaway truck. While following the comic book’s artwork to the scene of the future accident, Hiro and Ando spot the vehicle in question and attempt to flag it down while it is driving away causing it to swerve directly at the girl in the comic book. As a result, it’s questionable whether the artist’s work actually predicts the future or whether Hiro and Ando’s belief that the comic book told the future made the events in the comic take place; after all the truck would never have threatened its potential victim’s life at all if Hiro and Ando hadn’t arrived at the scene comic book in hand. For the entirety of the first season I kept waiting for this issue to get addressed because it would be very interesting indeed to explore whether the artist is seeing the future or creating it. Whole plot lines could have been developed about the nature of free will and constructed reality. Somehow the writers of the television show never managed to get there, killing off the artist and leaving the viewer with little to no explanation of the actual implications of his powers.
Similarly, the writers missed another golden opportunity with another character who could be described as a “shapeshifter.” In one episode, it is suggested that the shapeshifter’s “default look” (predictably, a hot woman) isn’t the way that the shapeshifter usually looks. In fact, given how much the shapeshifter seems to eat on the show, she might be larger than a Macy’s Day Parade balloon. All of this is forgotten in a later episode when the shapeshifter is knocked unconscious and the images she generated disappears only to turn her back into the same familiar hot woman. So much for finding out that the shapeshifter really looks like the sort of “alternative beauty” that not even the Suicide Girls would showcase.
(As a side point, the concept of a “shapeshifter” has always annoyed me; after all, in order to copy another person’s appearance you’d have to have a very good idea of what they looked like to get all the details right. Time after time in movies and television shows, shapeshifters are able to instantly replicate the exact features of anyone they’ve seen even once accurately enough to fool all their friends and loved ones. They even manage to copy their mannerisms. I’m just stunned I’ve never seen a movie where a shapeshifter gets caught as an imposter because they continue to use their right hand and the person they’re copying is left handed. That’s all I’m saying.)